Soft Cell's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, one half of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He subsequently founded the pioneering electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke spinal bones in my spine and cracked about multiple ribs and fractured my arm."

After contracting a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "a great place mentally" over the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was concentrated and so happy with the new album that we actually completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from being in a band, the bond is very tight," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family his caregivers, who altered his first name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they established Soft Cell the very year, and quickly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a rare creative synergy.

Ball had cultivated a interest with electronic instruments after watching Kraftwerk appear on a television science show Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular song of the early 80s, shifting 21 million copies globally. Together with hits by Gary Numan, Human League and electronic acts, it contributed to cleared the way for the electronic music style of the 80s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Career Highlights

Success had its benefits. "I loved being able to purchase my first home, having money and exploring, which might seem like a Miss World," Ball not long ago told with a music magazine.

But it also caused challenges. "Newfound wealth meant we could purchase newfound drugs to relieve the monotony" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond went on to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

After a further break, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the band's upcoming release as a homage to the NYC nightlife they visited while making their initial records.

He added that his time in hospital had influenced the band's sound.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the noises in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were finished only a short time before Ball passed away. It is due for launch in Spring 2026.

Paul Campbell
Paul Campbell

A software engineer and tech writer passionate about AI ethics and open-source projects, with over a decade of industry experience.